These photos of 70-foot-tall cones of light shining in the California desert may look pretty, but they have a surface and actually represent some interesting ideas about the evolution of space-time.
Dr. Elliot McGucken is a nationally recognized photographer and Ph.D. a physicist. He likes to combine his two passions, which he believes complement each other perfectly.
“Renaissance painter Rembrandt van Rijn advised artists to ‘choose only one master: nature’,” McGucken writes in his paper on light cones. “Einstein also looked to nature for knowledge, advising scientists, ‘Look deeply into nature, and you will understand everything better’.”
He adds: “Much of today’s art and science is out of touch with the truth and beauty of nature. And so I based my Light Cone Spacetime Images on high natural light.”




McGucken captures the light cones with a three-minute exposure, during which the drone is released to paint large spirals about 40 feet in diameter. Each light painting looks like an hourglass, and that’s because they are actually two cones on top of each other, with a weak end of each cone meeting in the middle.
The photographer-turned-physicist uses GPS to guide the drone along a pre-planned path. McGucken often requires multiple trials – sometimes over several nights – because the wind can push the drone off course, especially when shooting in the windy desert.





To the casual observer, McGucken’s light cones are a wonderful aspiration – a delightfully charming backdrop to the night’s beautiful scenery. But there are more than enough.
PetaPixel it doesn’t often get into the weeds of relativity theory, but McGucken’s cones of light actually represent Albert Einstein’s equation relating light, time and magnitude: x4=ict.
2023 edition, Smithsonian author Will Sullivan explains that cones represent the way light travels through space-time, a model developed by German mathematician Hermann Minkowski.
Think of a light bulb turned on. To the human eye, light fills the room instantly, but that’s not what happens. A fraction of a second after the bulb turns on, there is a small circle of light around the bulb. As another fraction of a second passes, the light moves a little further, forming a larger circle.
The Smithsonian explains that “chemical luminescence follows the propagation of light in a two-dimensional space, appearing in a wide circle around a central point.”
Sullivan asks the reader to think of it like a stone tossed in a still pond: “As time goes by, the ripples flow farther and farther from the surface of the water.” “In two dimensions, the light from the bulb will fill a larger circle over time,” he explains.
Therefore, the narrowest part of McGucken’s cones represents light from the near past, while the wider parts of the cones represent light from much further away.





“The first thing you have to achieve is a sense of beauty,” McGucken says Smithsonian. “You owe it to the viewer before you start teaching them any kind of physics. I want people to see a desert landscape at night, and see a cone of light, and start to wonder, ‘What is that? What does it mean?’
To read more about McGucken’s latest lighting technology, head over to his Medium page, where there’s a full explanation. Some of his work can be found on Instagram and his website.
Image credits: Photos by Elliot McGucken
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